May 23, 2016
a short visit to friends just south of Florence. vineyard and olive groves spread across their property retained in practical flat ribbons – some grass mown and some left long with decorative results . . .
. . . old olives are retained if they are single stem but those from the bad frost some years ago are being removed and replaced with fresh young plants.
Around the buildings, the owners prefer to leave the fluffy growth on the canopy. Pleasing contrasting textures in this composition . . .
. . . and also on the cork oak.
In Pienza, narrow views out to the wonderful countryside even on a cold and cloudy May day. Who gave these streets such pretty names?
Many years ago we designed this pool garden within what once was a walled kitchen garden. Simple, clean lines, reflections, peaceful – what more to say? only that these friends understand importance of good management; many clients do not.
The love of the place and the people who inhabit it – this is the reason behind the choice of the poem.
The tumult in the heart
keeps asking questions.
And then it stops and undertakes to answer
in the same tone of voice.
No one could tell the difference.
Uninnocent, these conversations start,
and then engage the senses,
only half-meaning to.
And then there is no choice,
and then there is no sense;
until a name
and all its connotation are the same. Elizabeth Bishop
March 12, 2016
A jaunt out above the gorges to see if the new seedling growth of the ferula is showing and, yes, frothy and fresh in tone, carpeting the ground around the forebears which are still strong but wonderfully light to hold as the stems are hollow now . . .
. . . young ferula growth here mixed in with low, lime green euphorbia, but the taller Euphorbia wulfenii also claims attention. A black-eyed form and perhaps crossed with others to form E. x martini . . .
. . . Iris pumila – in papal cloth and in soft yellow – stop me in my tracks, not only to admire visually but, also to avoid squashing them where they sprout through the stony path.
By le Castellas and at Table de Lecture de Paysage, the view forces the eyes to lift up away from studying up from studying the minutiae on the ground to this tableau – the river Gard flowing in a cup shaped curve; a quite splendid panorama . . .
. . . as it enters from the west beyond Russan and beyond Anduze . . .
. . . and as it moves to the east flow under Pont Saint – Nicolas and then under Pont du Gard before entering the Rhone. Some folks do other physical and challenging pursuits here but I just gaze.
How the tiny narcissus occupy this terrain and how enjoyable they are . . . so it’s eyes down again and especially when the path becomes a solid sponge like form of limestone. Perhaps it’s more like walking on a giant food grater.
Then again the view demands attention. Pont Saint-Nicolas and surroundings can only be enjoyed from this high aspect – there is nowhere to park nearby – hurrah.
Back in Vic, Commune de Ste Anastasie, grave stones neatly placed on the church wall face a flowering Rosa banksiae – my first this year on March 4th- and a wall hosting Umbilicus rapestris – great texture contrasts.
The poem reads like an old song or fairy tale to me – but no claim is made on this landscape but just simple grateful appreciation.
walking by the waters
down where an honest river
shakes hands with the sea,
a woman passed round me
in a slow, watchful circle,
as if I were a superstition;
or the worst dregs of her imagination,
so when she finally spoke
her words spliced into bars
of an old wheel. A segment of air.
Where do you come from?
‘Here,’ I said, ‘Here. These parts.’ Jackie Kay In My Country
January 14, 2016
After seemingly interminable rain, hallelujah a bright day dawns – of course chilly and crisp and more than refreshing; but appetising nonetheless. The beach at Pett Level is hidden from the road by the sea wall so the view across the Military Canal to the rising land has no competition. Visually superb from a distance and also excellent at close quarters for those strolling through.
Over the sea wall, a different and equally pleasing landscape is laid out. The tide is coming in as the sun strikes short shadows and highlights the textures of the beach stones . . .
. . . sandstones of varying size contrast with finer shingle and the smooth islands of dark peat. An ancient forest lies below the water and can be seen occasionally below Cliff End revealing timber with a soft spongy texture as against the also exposed rigidly hard wood used in the old sea defences The rhythm of the tide has left an elegant and informal wandering edge as though Poseidon has run a finger along the coastline . . .
Small waders leave their mark – turnstones and oyster catchers perhaps – searching for delicacies and holding their own among the herring gulls.
Nothing has been ‘done’ to these pix . . . clouds arrive and the sky to the east wears a dark violet cloak now . . .
. . . but remains clearer to the west with a freezing wind which meant power walking back to the sheltered lower level and a favourite view across the marsh inhabited by coots and curlews and the odd cormorant – and the sheep of course. Edward Thomas, my father’s favourite poet assisting here on a special day. January 14th 1910
Out of us all
That make rhymes
Will you choose
As the winds use
A crack in a wall
Or a drain,
Their joy or their pain
To whistle through –
You English words?
I know you:
You are light as dreams,
Tough as oak,
Precious as gold,
As poppies and corn,
Or an old cloak:
Sweet as our birds
To the ear,
As the burnet rose
In the heat
Strange as the races
Of dead and unborn:
Strange and sweet
To the eye,
As the dearest faces
That a man knows,
And as lost homes are:
But though older far
Than oldest yew, –
As our hills are, old, –
Again and again:
Young as our streams
And as dear
As the earth which you prove
That we love.
Make me content
With some sweetness
Have no wings, –
From Wiltshire and Kent
And Herefordshire, –
And the villages there, –
From the names, and the things
Let me sometimes dance
Or stand perchance
Fixed and free
In a rhyme,
As poets do. Edward Thomas Words
December 21, 2015
Been quite lazy on the blog front but then it’s good to take time out and breath. These two sitting outside Patisseries Orientales in Boulevards des Allies looked relaxed about life too. Saturday morning in Uzès means MARKET and although having been here a few weeks now, it is my first visit. My trustworthy confidante advised that a trip to Friday’s market in San Quentin is more authentic and cheaper – she’s right as always – but under murky skies, the market stalls along the Boulevard and in Place aux Herbes glistened like jewels and it was sort of fun . . .
. . . fleurs turned into chou-fleur and magnificent frisées.
Wandering back down Rue Grande Bourgade where solanum continues to flower, I was grateful to this gentleman as he completed the composition – if only there was some sun and therefore some shadows.
A vine over an entrance at 32 is most sculptural and well managed – reminds me of a Pekingese fringe. And yes, the tantalising mimosa came home. Just checked and 4 years ago I was here with important beings.
Le soleil est toujours riant,
Depuis qu’il part de l’orient
Pour venir éclairer le monde.
Jusqu’à ce que son char soit descendu dans l’onde
La vapeur des brouillards ne voile point les cieux ;
Tous les matins un vent officieux
En écarte toutes les nues :
Ainsi nos jours ne sont jamais couverts ;
Et, dans le plus fort des hivers,
Nos campagnes sont revêtues
De fleurs et d’arbres toujours verts.
Les ruisseaux respectent leurs rives,
Et leurs naïades fugitives
Sans sortir de leur lit natal,
Errent paisiblement et ne sont point captives
Sous une prison de cristal.
Tous nos oiseaux chantent à l’ordinaire,
Leurs gosiers n’étant point glacés ;
Et n’étant pas forcés
De se cacher ou de se taire,
Ils font l’amour en liberté.
L’hiver comme l’été.
Enfin, lorsque la nuit a déployé ses voiles,
La lune, au visage changeant,
Paraît sur un trône d’argent,
Et tient cercle avec les étoiles,
Le ciel est toujours clair tant que dure son cours,
Et nous avons des nuits plus belles que vos jours. Racine
The Sun is always laughing,
since he moved from the East
to come light up the world.
Up to what his chariot is down in the wave
of mist steam sailing point heaven;
Every morning an unofficial wind makes all naked:
so our days are never covered.
And in the height of winter,
our campaigns are coated with
flowers and evergreen trees.
Streams meet their shores,
and their fugitive naiades
without leaving their natal bed,
wander peacefully and are point
captive in a prison of Crystal.
All our birds are singing in the ordinary,
their throats being point iced;
And not being forced to hide or shut,
they make love in freedom.
The winter and the summer.
Finally, when night has deployed its sails,
the Moon, in the changing face,
appears on a silver throne,
and holds circle with the stars,
the sky is always clear as long as takes its course,
and we have most beautiful nights that your days.
July 17, 2015
Just a few fleeting glimpses of up above . . . ‘a glimpse is much harder to pin down’ Howard Hodgkin.
And, down on the ground, from a few hours in Uzès. Basalt setts inlaid in the stone to give subtle definition – a pleasing aesthetic.
Old and new – skills and craftsmanship – and atmosphere.
The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,
is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can’t breathe.
No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round. Margaret Atwood
June 6, 2015
France still closes down at lunchtine 12-2pm. Quite civilised and to be respected. Very pleasant sitting in Place de l’Eglise in Fontvieille – a small town that appeals more and more . . .
. . . wandering around the old streets, intrinsic compositions can be seen, admired and recorded.
A garden of pots – well tended plants, all thriving and with somewhere to sit and admire them . . .
. . . and a green roof, which some might say is just ‘les mauvaises herbes’.
Mûrier platane foliage on neatly managed trees shading a small modern square – very inviting – and just close by, in contrast, spreading branches of an ancient plane tree form a ceiling by the quarried stone face of the old town wall.
In the château gardens, now the town park, all ages are catered for. The home of Alphonse Daudet, the writer, now a museum dedicated to him and his work – most notably “Les Lettres de mon Moulin”. Water courses run through the parkland where holm oaks and pines cascade over lauristinius and broom providing a simple vegetation matrix
Following one walking route (there are many others to Les Baux, to San Remy and to Eygalieres) around the top of the town, the landmarks are three windmills named after their owners – Tissot-Avon (2 owners), Ramet and Ribet also called St Pierre and also also called Daudet’s mill with sails completely restored.
rather fell for it and the whole area of Les Alpilles.
J’ai dans mon coeur un oiseau bleu,
Une charmante creature,
Si mignonne que sa ceinture
N’a pas l’epaisseur d’un cheveu.
Il lui faut du sang pour pature.
Bien longtemps, je me fis un jeu
De lui donner sa nourriture:
Les petits oiseaux mangent peu.
Mais, sans en rien laisser paraitre,
Dans mon coeur il a fait, le traitre,
Un trou large comme la main.
Et son bec fin comme une lame,
En continuant son chemin,
M’est entre jusqu’au fond de l’ame!…. Alphonse Daudet L’Oiseau Bleu
February 4, 2015
No one is out here in the village . . . but a few have been busy. A chance to observe shapes and patterns accentuated by the thick layer of snow . . .
In the graveyard . . . what to say? Just quietly and slowly move and absorb. Sorry to disturb.
The poem – beautiful and melancholic – just like today.
There are lone cemeteries,
tombs full of soundless bones,
the heart threading a tunnel,
a dark, dark tunnel :
like a wreck we die to the very core,
as if drowning at the heart
or collapsing inwards from skin to soul.
There are corpses,
clammy slabs for feet,
there is death in the bones,
like a pure sound,
a bark without its dog,
out of certain bells, certain tombs
swelling in this humidity like lament or rain.
I see, when alone at times,
coffins under sail
setting out with the pale dead, women in their dead braids,
bakers as white as angels,
thoughtful girls married to notaries,
coffins ascending the vertical river of the dead,
the wine-dark river to its source,
with their sails swollen with the sound of death,
filled with the silent noise of death.
Death is drawn to sound
like a slipper without a foot, a suit without its wearer,
comes to knock with a ring, stoneless and fingerless,
comes to shout without a mouth, a tongue, without a throat.
Nevertheless its footsteps sound
and its clothes echo, hushed like a tree.
I do not know, I am ignorant, I hardly see
but it seems to me that its song has the colour of wet violets,
violets well used to the earth,
since the face of death is green,
and the gaze of death green
with the etched moisture of a violet’s leaf
and its grave colour of exasperated winter.
But death goes about the earth also, riding a broom
lapping the ground in search of the dead –
death is in the broom,
it is the tongue of death looking for the dead,
the needle of death looking for the thread.
Death lies in our beds :
in the lazy mattresses, the black blankets,
lives a full stretch and then suddenly blows,
blows sound unknown filling out the sheets
and there are beds sailing into a harbour
where death is waiting, dressed as an admiral. Neruda Death Alone