abandonné
March 4, 2015
A cabanon – small agricultural building – standing alone. Almost all are unused, neglected and generally in disrepair. These stone and tile constructions are liberally dotted across the landscape here in the Luberon and quite obvious now before the foliage on the cherries fills out. One is for sale for 95,000 euros in the village estate agent’s window. It is shown as a charming and romantic habitation decorated with a spread of wisteria frothing across the facade . . . water from the well but no electricity. It’s a simple cabanon under the gentrification.
Cherry orchards interspersed with olives groves, vineyards and the occasional lavender field are the prime managed elements hugged by the indigenous white oak and pine woodland. The generations of cherries show a marked variety of treatment. The ancient are left a while as skeletons and then decimated close to the ground before the roots are dug up – sounds harsh but there is a sort orf reverence for the trees that during life have produced hundreds of kilos of fruit.
The village looks good from here – the chateau and windmill stand proud – clusters of pines within the chateau confines mark the highest point above the terraced terrain.
Light playful showers tickle the senses. Clouds scud across Mont Ventoux . . .
. . . another cabanon comes into view. Turning to the east, the ochre rock of the Gardi and the remaining winter foliage on the oaks is pleasing. I hadn’t noticed this subtlety before – only being conscious of the more obvious contrasting dark tones of pine.
More abandoned buildings – stoic and solitary – not needed now for machinery, animals nor shelter.
And these two are not abandoned and not the slightest interested in my offerings of apples. The poem, more Beckett, he lived around here for a while after all and his poems have sparked an interest that is difficult to ignore. I can imagine those long thin legs striding out into this landscape.
what would I do without this world faceless incurious
where to be lasts but an instant where every instant
spills in the void the ignorance of having been
without this wave where in the end
body and shadow together are engulfed
what would I do without this silence where the murmurs die
the pantings the frenzies towards succour towards love
without this sky that soars
above its ballast dust
what would I do what I did yesterday and the day before
peering out of my deadlight looking for another
wandering like me eddying far from all the living
in a convulsive space
among the voices voiceless
that throng my hiddenness
que ferais-je sans ce monde sans visage sans questions
où être ne dure qu’un instant où chaque instant
verse dans le vide dans l’oubli d’avoir été
sans cette onde où à la fin
corps et ombre ensemble s’engloutissent
que ferais-je sans ce silence gouffre des murmures
haletant furieux vers le secours vers l’amour
sans ce ciel qui s’élève
sur la poussieère de ses lests
que ferais-je je ferais comme hier comme aujourd’hui
regardant par mon hublot si je ne suis pas seul
à errer et à virer loin de toute vie
dans un espace pantin
sans voix parmi les voix
enfermées avec moi Samuel Beckett
March 5, 2015 at 12:55
I can’t see one of these isolated, sturdy, handsome agricultural buildings – either here in your piece, or when walking anywhere in the UK – without worrying about the tension between allowing them to stay as they are, adding, indeed creating character to a landscape and echoing history, and the obvious financial gain they represent to those that sell them on for conversion into houses. And thus we destroy the precious places we have left of minimal habitation, filling the voids with cars, lights, trampolines, drives, pylons, noise…..
March 7, 2015 at 19:08
Agreed. In this area there appears to be an appreciation of the land and all it encompasses but this could be termed as ‘stubborn, stuck in the past’. Will be interesting to see what happens in 5 years.