certaines choses délicieuses – un sac mélange
January 8, 2014
Things other than landscapes have taken my eye recently. Day to day occurrences and visual flashes add to the experience of all I’ve come to value about life here in the Gard. The senses seem to be heightened – food, of course, looks as appetising as it can be even before the pleasure of the tasting . . . .
. . . Les Halles in Nîmes, the central covered market, offers not just stalls but also one of the best places to eat – Halles Auberge - busy, well priced and positioned where the ongoing life of the market can be viewed over a plate of coquillages. Pieds et paquets and Agrillade St.Gilloise are also on offer.
Just opposite les Halles is a marvel. A shop like shops used to be when I was young – a long time ago. Appetising from the outside and even more so once inside . . .
. . . all the pigments that anyone could wish for. Rich, appetising and electrifying colours can be seen in Claude Viallat’s work in the permanent exhibition at the Carré d’Art – Musée d’Art Contemporain – plus a powerful piece from Gerhard Richter which sucked me into the detail of the application of paint.
Near the Arènes, hoardings screen a building site that will eventually become the Musée de la Romanité, meanwhile this stencil on the hoarding seems to evokes the sadness of the bull fighter – the arena is the stage. The fear of the performance or the possible outcome or just Spanish melancholia – I know nothing of this. What I do know and like are the swatches of silk as shown the Musée du Vieux Nîmes where the history of denim ( yes, it came from those associated with Nîmes) is well explained. Swatches of colourful cottons caught my eye nearby on daily visits to the Bar des Beaux Arts in Place des Herbes for a noissette.
Maison Villaret has delightful window displays that entreat you to enter, admire and taste what’s on offer. The small pile of marzipan crocodiles shouldn’t be disturbed but maybe the tower of crystallised fruits can be. . . . .
. . and to finish off a couple of camion – swiftly disappearing from the roads now. I felt Gilbert, artisan peintre, would be totally trustworthy and execute his work with integrity – great marketing. And in Uzès, another more modest vehicle that sat well with the surroundings and colour wise reminded me of the vernacular.
‘Per solatz revelhar,
Que s’es trop enformitz,
E per pretz, qu’es faiditz
Acolhir e tornar,
Me cudei trebalhar’
‘To wake delight once more
That’s been too long asleep,
And worth that’s exiled deep
To gather and restore:
These thoughts I’ve laboured for’ Guiraut de Bornelh