dimanche après-midi

December 29, 2013

maison carre

Eyes up within the portico of the Maison Carrée  in Nimes - the stepped entrance, fluted columns and the compact nature of the portico – encourage the upward gesture. At this festive time however, action and noise compete to steer the glance across to the ice rink installed as a gay, colourful and interactive lower platform between the old and the new –  in an architectural sense. The new is the Carrée d’Art de Foster which becomes a fitting background to the leisure requirements of the Nimoise today .. . . . .

P1020427

carre d'art

. . wandering around to the Boulevard Victor Hugo, late afternoon sun arrives on the  facade and the light pushes the foreground elements – branches and street decorations  - into strong definition.

boulevard victor hugo

quai de la fontaine

Turning left to wander along the Quai de la Fontaine on the way to the Jardins, the beauty of the plane trees  arching discreetly to their opposite partner frames the sedate but apposite water feature .. .

jardins de la fontaine

. .  the usual activities are happening on the ground. And the usual effects are happening on the vertical elements . . .

jardins de la fontaine 2

jardins de la fontaine 3

jardins de la fontaine 4

. . . in the park, families engage in their own festive enjoyment and the permanent inhabitants oversee all.

jardins de la fontaine 5

jardins de la fontaine 6

jardins de la fontaine 7

The Jardins de la Fontaine were the first public gardens constructed in France,  50 years after Versailles built by the King for himself. The town is justly proud of this great garden and it is well used by all generations. As so often the case in France, the scale remains superb – the pattern and the form still have an integrity – with proportions that many designers nowadays can only dream about.

jardins de la fontaine 8

jardins de la fontaine 9

Wandering back by the Arènes, starlings provide the performance skywards. A murmuration  - exquisite formations    - float with exact organisation forwards and backwards across the sky gathering before coming home to roost . . . .

murmuration 1

murmuration 2

murmuration 3

. .  at the junction of Rue de l’Ecluse (home/roost) and Avenue Carnot stands a palm. Phillippe Starck has created an installation  - Abribus -  inspired by an ancient Roman symbol which is found on both the coin and on the shield of the city, and features the two symbols of the city, the crocodile and palm tree. The marble design is a small line of solid cubes that reach the tree and are the tail and neck, and a large bucket, supported by its four vertices showing the animal’s body. As the light falls and decorative lighting comes to the fore. A strange and succesful installation  that typifies ‘ the seen and the unseen’. That typifies The Little Prince.

abribus1

abribus 2

“People where you live,” the little prince said, “grow five thousand roses in one garden… yet they don’t find what they’re looking for…

They don’t find it,” I answered.

And yet what they’re looking for could be found in a single rose, or a little water…”

Of course,” I answered.

And the little prince added, “But eyes are blind. You have to look with the heart.”

Antoine de Saint Exupery  The Little Prince 

2 Responses to “dimanche après-midi”

  1. Nanda Says:

    So many peaceful pictures, Julia! It made me want to be there. Here in Brazil is so hot it’s disgusting, haha. Amazing!

  2. Sinclair 3168 Says:

    These photos are really special. The different colour of the trees, the shadows cast by the tree branches and streetlights, the trees arching over the bridge etc etc.


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